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Hebron, known for its vivid cross-stitch designs on thick linen, exhibits a strong aesthetic with rich reds and greens that represent a bond with the land and local traditions. [3] In addition to adding beauty to the clothing, the tatreez of each region is a form of identity and expression passed down through the generations, reflecting the ...
Paj Ntaub or flower cloth is a traditional form of Hmong embroidery practiced exclusively by women. This unique form of embroidery utilizes a wide variety of stitching techniques such as cross-stitch, chain-stitch, running-stitch, and satin-stitch and often features applique, reverse-applique, and batik elements in the design. [4]
It is composed of intricate but symmetrical patterns, vibrant colours, varied stitches and a defined weave. Its use of primary colors, light and shade are reminiscent of western paintings. Shu Xiu (蜀绣) – Sichuan embroidery comes from areas around Chengdu, Sichuan Province. It is among the oldest known embroidery styles in Chinese ...
Grass pattern Tang caowen [4] Twined branches Chanzhiwen [4] Curves Pommel pattern Guri (屈輪) / Pommel scroll [21] Geometric Diagonal Diagonal straight lines Lishui: Diagonal wavy lines Semicricles Horizontal semi-circles Woshui Curvilinear Swirl [4] Wavy Wavy Boqu [4] Others Yunleiwen ( 云雷纹)/ Cloud-and-thunder pattern (meander) Yunleiwen
Cross-stitch was not used much, the women preferring patchwork patterns of diamond and rectangular shapes, as well as other embroidery techniques. [39] [40] In the 1860s, H.B. Tristram described costumes in the villages of El Bussah and Isfia as being either "plain, patched or embroidered in the most fantastic and grotesque shapes". [41]
Blanket stitch, buttonhole stitch, and eyelet stitch all had the original function of strengthening the edges of textiles subject to daily wear and tear, but were adapted for decorative purposes. In North Africa and the Middle East, eyelet stitch is made using a spoked wheel pattern of stitches, or in the Algerian form without an enclosing circle.