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The Aphrodite of Knidos (or Cnidus) was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity .
The Colonna Venus is a Roman marble copy of the lost Aphrodite of Cnidus sculpture by Praxiteles, conserved in the Museo Pio-Clementino as a part of the Vatican Museums' collections. It is now the best-known and perhaps most faithful Roman copy of Praxiteles's original.
Medallion representing Praxiteles. Praxiteles (/ p r æ k ˈ s ɪ t ɪ l iː z /; Greek: Πραξιτέλης) of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attic sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue.
Praxiteles (fourth century BCE), sculptor of the famed Aphrodite of Knidos, is credited with having thus created a canonical form for the female nude, [18] but neither the original work nor any of its ratios survive. Academic study of later Roman copies (and in particular modern restorations of them) suggest that they are artistically and ...
The sanctuary was dedicated to the goddess under her name Aphrodite Euploia or 'Aphrodite of the Fair Voyage', which was her name in her capacity of a sea goddess, an aspect very popular among sailors. [1] It was a significant sanctuary, famous in the ancient world for hosting the first cult statue of the goddess depicted naked, which was ...
Phryne was the model for two of the great artists of classical Greece, Praxiteles and Apelles. She is most famously associated with Praxiteles' Aphrodite of Knidos, [54] the first three-dimensional and monumentally sized female nude in ancient Greek art. [55] However, the only source for this association is Athenaeus.
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Aphrodite was often described as golden-haired and portrayed with this color hair in art. [270] In c. 364/361 BC, the Athenian sculptor Praxiteles carved the marble statue Aphrodite of Knidos, [271] [266] which Pliny the Elder later praised as the greatest sculpture ever made. [271]