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Portrait of Käthe Kollwitz. Her father, Bernhard Weiß, was an Evangelical theologian.Her mother, Hermine (née Von Woyna) was a member of the nobility. They supported her interest in the visual arts as a pastime, but not as a profession.
Distributor and color conversion company Above and Beyond: 1952: 1992: Turner Entertainment [1] [2] The Absent-Minded Professor: 1961: 1986: The Walt Disney Company [3] (Color Systems Technology) [4] [a] An Ache in Every Stake: 1941: 2004: Columbia Pictures (West Wing Studios) [7] Across the Pacific: 1942: 1987: Turner Entertainment [8] Action ...
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...
The Hedwig Codex, also known as the Codex of Lubin (Polish: Kodeks lubiński), [1] is a medieval illuminated manuscript from the mid-14th century. It comprises sixty-one colored drawings and inscriptions which tell the life of Saint Hedwig, High Duchess of Poland and Silesia, her family, and events related to her canonization in 1267.
Hedwig was born in Rheinfelden, Swabia, the seventh of nine children of Count Rudolf IV of Habsburg and his first wife, Gertrude of Hohenberg. It is unknown when Hedwig was born, but it was probably between 1258 and 1261 from the evidence of the births of her two closest siblings. [ 1 ]
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Hedwig also Heilwig, [1] (c. 778 – c. 835) was a Saxon noblewoman, abbess of Chelles, [1] the wife of Count Welf, and mother-in-law of Emperor Louis the Pious through his marriage to Judith, her daughter.
At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966. Among the five Best Picture nominees at the 33rd Academy Awards in April 1961, two — Sons and Lovers and the winner, The Apartment — were black-and white.