Search results
Results From The WOW.Com Content Network
The Rumberas film (in Spanish, Cine de rumberas) was a film genre that flourished in Mexico's Golden Age of Mexican cinema in the 1940s and 1950s. Its major stars were the so-called rumberas, dancers of Afro-Caribbean musical rhythms. The genre is a film curiosity, one of the most fascinating hybrids of the international cinema.
From 1935 to the 1950s, the Mexican and American film industry expanded the use of the term rumba as rumbera films became popular. [11] In this context, rumberas were Cuban and Mexican divas, singers and actresses who sang boleros and canciones , but rarely rumbas.
Young America Double Action Revolver United States: 1,500,000 [114] Ruger Security-Six/ Speed Six/ Service Six 1,240,000 [115] 1,500,000 [116] Ruger LCP: Semi-automatic pistol 1,500,000 [117] Browning Hi-Power Belgium: 1,000,000 [118] 1,500,000 [119] A BBC article claims 10 million. [24] 650,000 may have been produced in Indian arsenals. [40 ...
A feature of rumberas cinema were the exotic dances performed by women. In the image, Evangelina Elizondo performing at the Tropicana cabaret 1950. Tropical music that was popular in Mexico and Latin America since the 1930s was also reflected in Mexican cinema. Numerous music magazines were made in the 1940s and 1950s.
Juan Rogelio García García (August 4, 1897 – May 26, 1988), better known as Juan Orol, was a Spanish-born Mexican actor, film producer, director and screenwriter.Orol was a pioneer of the Mexican cinema's first talkies and one of the main promoters of the Rumberas film in the Golden Age of Mexican cinema.
In 1945 she began her participation in the Rumberas film Rosalinda, with the famous rumba dancer María Antonieta Pons. In 1946, Barba starred in the successful film Humo en los ojos. In 1947, she participated in the film Gran Casino, Luis Buñuel's first film in Mexico, together with Jorge Negrete and Libertad Lamarque.
Aventurera has the perfect industrial film ingredients that bind to the Rumberas film genre of the 1940s and 1950s: five intermediate sung (with the voices of Ana Maria Gonzalez and Pedro Vargas), three impossible musical numbers (created by Ninón Sevilla), an emblematic story of innocence and perversion.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Help; Learn to edit; Community portal; Recent changes; Upload file