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Kalam in persian language means Pen is used for hand drawing and coloring. [5] The usage of pen involves two types, one for drawing made from bamboo , the other for coloring. The coloring process involves usage of only natural dyes which are extracted from flowers and vegetables.
Kalamkari textile depicting Lord Vishnu's dashavtaras as well as Ganesha and a Śiva lingam, at British Museum.. Kalamkari is an ancient textile printing art form that evolved about 3000 years ago in the state of Andhra Pradesh. [13]
Jhoti chita (Odia: ଝୋଟି ଚିତା, romanized: jhoṭi citā) is a traditional Odia white art mostly shown in rural areas of Odisha. It is made from rice paste and with a piece of cloth surrounded with a stick is used to create beautiful patterns. [1] People also use their bare fingers to make jhoti chita. They can be created over ...
Kasavu is a technique used in handlooms of Kerala, with very fine threads of gold or silver used in weave to make border lines and designs on silk and cotton fabrics. This technique later spread to most of India and the Kasav technique was developed for many other fabrics across India.
This style of art evolved during the rule of Mughal Dynasty and practiced by Golconda Sultanate. Different textile products produced from this style of work include, wall hangings and clothing like, bedsheets , curtains , saris etc. [ 2 ] [ 4 ] A wall hanger dating back to 15th Century AD, is still being displayed in Victoria Museum, London.
Another main theme of Warli art is the denotation of a triangle that is larger at the top, representing a man; and a triangle which is wider at the bottom, representing a woman. [ 4 ] [ better source needed ] Apart from ritualistic paintings, other Warli paintings covered day-to-day activities of the village people.
A sari (sometimes also saree [1] or sadi) [note 1] is a drape (cloth) [2] and a women's garment in the Indian subcontinent. [3] It consists of an un-stitched stretch of woven fabric arranged over the body as a dress, with one end attached to the waist, while the other end rests over one shoulder as a stole, [4] [5] sometimes baring a part of the midriff.
The "pallu" (loose end of a saree) part of the saree or the fabric is made in a contrast colour by tying it firmly before subjecting it to a further process of treating in a solution of groundnut oil and alkaline earth. In this process, the fabric dipped in the solution is tamped well by foot several times and kept in a wet state for 2–3 days.