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His ability, Vita Sexualis (ヰタ・セクスアリス, Wita black), allows him to configure Elise's actions and mood, enabling her to act as a distraction or to protect him with superhuman feats such as flight or extreme speed. Mori is also Fukuzawa's former partner.
As Lovecraft restrains them and John traps the girls, Junichirō uses his ability on a truck driver heading their way on the road to make him crash into John and Lovecraft, allowing Naomi and Kirako to jump onto a train heading towards the city. Fukuzawa informs Atsushi and Dazai to meet up with them at the station.
Fukuzawa Yukichi (福澤 諭吉, January 10, 1835 – February 3, 1901) was a Japanese educator, philosopher, writer, entrepreneur and samurai who founded Keio Gijuku, the newspaper Jiji-Shinpō , and the Institute for Study of Infectious Diseases. Fukuzawa was an early advocate for reform in Japan.
Fukuzawa and Mori attempt to kill each other while reminscing about their past. Before anybody is able to finish their rival, they are stopped by their superior, Natsume Soseki. Dazai then makes Atsushi and Akutagawa work together once more to infiltrate into the Rats in the House of the Dead hideout.
Fukuzawa meets the young intelligent detective Ranpo Edogawa who has surprised him with his highly developed intelligence when solving cases and agrees to help him find a job. As Ranpo deduces from Fukuzawa's appearance that he is a former war soldier who killed several people in a previous conflict, Fukuzawa is stressed by remembering his past ...
Osamu Dazai (Japanese: 太宰 治, Hepburn: Osamu Dazai) is a fictional character featured in the manga series Bungo Stray Dogs, written by Kafka Asagiri and drawn by Sango Harukawa.
The plan was to build the plant along the Gulf of Kutch, an inlet of the Arabian Sea that provides a living for fishing clans that harvest the coast’s rich marine life.
The affluence of Fukuzawa's family permitted him to study European art in France between 1924 and 1931. [7] Paris was the nexus from which Fukuzawa found inspiration in European Surrealism, mainly through Max Ernst's collage series La Femme 100 Tetes (1929) and the paintings of Giorgio de Chirico.