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A page from Night-Thoughts, illustrated by William Blake. The Complaint: or, Night-Thoughts on Life, Death, & Immortality, better known simply as Night-Thoughts, is a long poem by Edward Young published in nine parts (or "nights") between 1742 and 1745.
A Vision of the Last Judgement is a painting by William Blake that was designed in 1808 before becoming a lost artwork. The painting was to be shown in an 1810 exhibition with a detailed analysis added to a second edition of his Descriptive Catalogue. This plan was dropped after the exhibition was cancelled, and the painting disappeared.
The text on the fragment relates to the Last Judgment and therefore sometimes is also called “Das Weltgericht” (German for "Last Judgment"). [2] The text is part of a fourteenth-century poem of 1040 lines known as the "Sibyllenbuch" [5] (Book of the Sibyls [6]) containing "prophecies concerning the fate of the Holy Roman Empire". [7]
The Last Judgment at the end of the chapel Charon and his boat of damned souls. The Last Judgment was a traditional subject for large church frescos, but it was unusual to place it at the east end, over the altar. The traditional position was on the west wall, over the main doors at the back of a church, so that the congregation took this ...
A fragmentary copy of the first edition of The Day of Doom, held at Houghton Library, Harvard University "The Day of Doom: or, A Poetical Description of the Great and Last Judgment" [1] is a religious poem by clergyman Michael Wigglesworth that became a best-selling classic in Puritan New England for a century after it was published in 1662 by Samuel Green and Marmaduke Johnson.
This people draweth nigh unto me with their mouth, and honoureth me with their lips; but their heart is far from me. The New International Version translates the passage as: "'These people honor me with their lips, but their hearts are far from me.
Doom or "the Doom" was a specific term for the Last Judgement and first cited to c. 1200 by the OED ("doom", 6), a sense surviving in this artistic meaning and in phrases such as the "crack of doom" and the word "doomsday", the latter going back to Old English. The original OED in the late 19th century already described this sense of "doom" as ...
The Beaune Altarpiece (or The Last Judgement) is a large polyptych c. 1443–1451 altarpiece by the Early Netherlandish artist Rogier van der Weyden, painted in oil on oak panels with parts later transferred to canvas. It consists of fifteen paintings on nine panels, of which six are painted on both sides.