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Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in ...
"Rumba" entered the English lexicon in the early 20th century, at least as early as 1919, and by 1935 it was used a verb to denote the ballroom dance. [4] In this sense, the anglicised spelling "rhumba" became prevalent and is now recommended to distinguish it from traditional Cuban rumba. [ 5 ]
Rumba clave in duple-pulse and triple-pulse structures. Rumba clave is the key pattern (guide pattern) used in guaguancó. There is some debate as to how the 4/4 rumba clave should be notated for guaguancó. [1] In actual practice, the third and fourth stroke often fall in rhythmic positions that do not fit neatly into music notation. [2]
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from ...
The marímbula (Spanish pronunciation: [maˈɾimbula]) is a plucked box musical instrument of the Caribbean. In Cuba it is common in the changüí genre, as well as old styles of son . In Mexico, where it is known as marimbol is played in son jarocho ; in the Dominican Republic , where it is known as marimba , it is played in merengue típico ...
A marímbula, the "bass" instrument used by changüí ensembles. Some groups used the more rudimentary jug known as botija or botijuela.. Although the history of Cuban music dates back to the 16th century, the son is a relatively recent musical invention whose precursors emerged in the mid-to-late 19th century.
This may be thought of as a measure of 6 8 followed by a measure of 3 4 (known as hemiola).. For dancers, it is commonly viewed with a compas or bar of 6 counts as opposed to 12.