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The Concierto de Aranjuez ([konˈθjeɾ.to ðe a.ɾaŋˈxweθ], "Aranjuez Concerto") is a concerto for classical guitar by the Spanish composer Joaquín Rodrigo. Written in 1939, it is by far Rodrigo's best-known work, and its success established his reputation as one of the most significant Spanish composers of the 20th century.
Spartacus Suite No. 2, I: Adagio of Spartacus and Phrygia / Khachaturian; Concierto de Aranjuez, II: Adagio / Joaquín Rodrigo; Can't Stop the Classics (Part 2) - 6:30 Fanfare Intro / Louis Clark; Die Meistersinger von Nürnberg Overture / Richard Wagner; Peter and the Wolf / Sergei Prokofiev; Marche Slave / Tchaikovsky
Concierto de Aranjuez [ edit ] The opening piece, taking up almost half the record, is an arrangement by Evans and Davis of the adagio movement of Concierto de Aranjuez , a concerto for guitar by the contemporary Spanish composer Joaquín Rodrigo .
Concierto de Aranjuez may also refer to: Concierto de Aranjuez, an album by the German band Cusco; Concierto de Aranjuez (Paco de Lucía album) Concerto d'Aranjuez / Sounds of Spain, a 1967 album released by the Paris-based Swingle Singers (released as Spanish Masters in the U.S.) Concierto de Aranjuez, a 1984 album by Dorothy Ashby
7" single Mercury 6200 039 (1982, France, Netherlands, Portugal) 7" single Mercury 6000 903 (1982, France, Spain) . A. "Follow Me" (Adagio Movement Of The Concierto De Aranjuez) (5:55)
Corea opens the Light as a Feather version of "Spain" with the adagio from Joaquin Rodrigo's Concierto de Aranjuez. Corea took inspiration from Spanish flamenco guitarist Paco de Lucia for this piece. [7] After the intro, the song switches to a fast, steady samba-like rhythm, in which the main theme and an improvisation part are repeated.
"Adagio from Concierto de Aranjuez" (Joaquín Rodrigo) – 10:18; Personnel. Milt Jackson - vibraphone; John Lewis - piano; Percy Heath - double bass;
During this time he was largely responsible for the growing popularity of the Concierto de Aranjuez, and made two early recordings, both with Argenta [6] – one in mono with the Madrid Chamber Orchestra (released between 1953 and 1955), [7] and the second in stereo with the Orquesta Nacional de España (recorded in 1957 and released in 1959).