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"Sunday" is a song by American alternative rock band Sonic Youth. It was released in 1998 by record label Geffen as the first and only single from their 10th studio album, A Thousand Leaves . Release
Sonic Youth was so impressed with Shelley's drumming after seeing him play live that they hired him without an audition. [31] Bert and Shelley both appeared in the music video for "Death Valley '69", as Bert had performed the drums on the song, but Shelley was the group's drummer when the video was filmed.
The discography of American rock band Sonic Youth comprises 15 studio albums, seven extended plays, three compilation albums, seven video releases, 21 singles, 46 music videos, ten releases in the Sonic Youth Recordings series, eight official bootlegs, and contributions to 16 soundtracks and other compilations.
A Thousand Leaves is the follow-up to Sonic Youth's 1995 album Washing Machine, which was released shortly after the band concluded their stint headlining the 1995 Lollapalooza music festival. [1] With the money they had made at the festival, the band decided to build a recording studio, called Echo Canyon, on Murray Street in Lower Manhattan.
Corporate Ghost is a Sonic Youth DVD released by DGC in 2004. It is a collection of their music videos from 1990 to 2002. It is a collection of their music videos from 1990 to 2002. DVD was certified by Music Canada Gold in October 2004 for 5,000 sold copies.
The music video for Sugar Kane was directed by Nick Egan. The video was shot in New York City and portrayed Sonic Youth performing in the midst of a fashion show that showcased "grunge" clothing. The clothing, in fact, was one of the collections ("Grunge Collection") done by Marc Jacobs for Perry Ellis in 1992. [1]
This year's list of top nominees include Beyoncé, Charli XCX, Billie Eilish, Kendrick Lamar, Post Malone, Sabrina Carpenter, Chappell Roan and Taylor Swift.
Goo is the sixth full-length studio album by American alternative rock band Sonic Youth, released on June 26, 1990, by DGC Records.For this album, the band sought to expand upon its trademark alternating guitar arrangements and the layered sound of their previous album Daydream Nation (1988) with songwriting that was more topical than past works.