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Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a type of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards.
That unit was directed by British painter Norman Wilkinson, who is now widely credited with having originated the practice of dazzle-painting or dazzle camouflage. In March 1918, Wilkinson served for four weeks as a camouflage advisor to the US Navy.
Ship camouflage was used in earnest by the British Admiralty in the First World War. The marine artist Norman Wilkinson led research into dazzle camouflage, resulting in the painting of thousands of British and later American ships in dazzle patterns. He intended it not to make ships invisible, nor even to cause the enemy to miss his shot, but ...
Countershading acts as a form of camouflage by 'painting out' the self-shadowing of the body or object. The result is a 'flat' appearance, instead of the 'solid' appearance of the body before countershading. Countershading uses graded colour to counteract the effect of self-shadowing, creating an illusion of flatness.
After the war, there was some contention about who had originated dazzle painting. When Wilkinson applied for credit to the Royal Commission on Awards to Inventors, he was challenged by several others, especially the zoologist John Graham Kerr, who had developed a disruptive camouflage paint scheme earlier in the war. [9]
BuShips also issued Ship Camouflage Instructions (SHIPS-2), laying out 9 painting schemes to be used throughout the Navy. Rather than issue premixed quantities of the less-used new shades, Light Gray (5-L) and Ocean Gray (5-O), yards and supply depots were directed to issue an untinted base paint (5-U) together with a blue-black tinting ...