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There are symmetrical differences between the left- and right-hand sides of the painting. This is most noticeable with the buttress, where the receding edges are over half again the size of those on the front sides. In addition, the breadth of the buttress contradicts the spatial depth of the much tighter space inhabited by the Virgin and Child.
Samoan police band, wearing lava-lavas A Samoan woman wearing a lavalava in Apia.. A lavalava, sometimes written as lava-lava, also known as an ' ie, short for 'ie lavalava, is an article of daily clothing traditionally worn by Polynesians and other Oceanic peoples.
Annibale Carracci, The Dead Christ Mourned, c. 1604. 92.8 cm × 103.2 cm (36.5 in × 40.6 in).Oil canvas. National Gallery, London.. The Dead Christ Mourned (also known as Lamentation of Christ, Pietà with the Three Marys, or The Three Marys) is an oil painting on canvas of c. 1604 by Annibale Carracci. [1]
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Fanlingpao (Chinese: 翻领袍; pinyin: fānlǐngpáo; lit. 'Lapel robe'), sometimes referred to as kuapao (Chinese: 袴袍) and hufu (Chinese: 胡服) in the Tang dynasty when they feature double overturned lapels, is a type of paofu with lapels.
The painting depicts the Christ child in the lap of his mother, the Virgin Mary, while an elder Joseph meditatively contemplates the scene from a slightly recessed position. While the Virgin and Child form a geometric triangle, the work departs from a more equanimous Renaissance style in the exuberant folds of the robes and the slight angling ...