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Ifá is a divination system and a religious text [1] in the Yoruba religion that originates in Yorubaland in West Africa. It originates within the traditional religion of the Yoruba people, and is also practised by followers of West African and African diasporic religions like Cuban Santería. Ifá is an ancient divination system originating ...
The Metropolitan Spiritual Churches of Christ (MSCC) is a Christian denomination descending from the spiritual church movement. Formed in 1925 within Kansas City, Missouri, the MSCC is divided into 7 dioceses led by diocesan prelates. [1] The current presiding prelate for the denomination is Bishop James D. Tindall Sr. [2]
The Black Archives of Mid-America holds an oral history collection collected in the mid-1970s comprising 97 audiocassettes, holding interviews of 56 people, mostly from Kansas City's African American community. [3] [6]
An ọpọ́n Ifá is a divination tray used in traditional African and Afro-American religions, notably in the system known as Ifá and in Yoruba tradition more broadly. [1] The etymology of opon , literally meaning "to flatter", explains the artistic and embellished nature of the trays, as they are meant to praise and acknowledge the noble ...
The term "Babalawo" typically refers to a Yoruba religious figure, often considered a priest or diviner, within the Ifa system of the Yoruba people in West Africa. The Ifa system is a complex and ancient divination and religious practice that has its roots in Yoruba mythology and culture and is deeply rooted in Yoruba history and mythology ...
The school was founded by African-American Baptist ministers in Independence, Missouri, in 1890. Two years later, it moved to Macon, Missouri, before moving to its location in Kansas City in 1921. It was the "first and only Christian Institution west of the Mississippi River founded by blacks exclusively."
Segregation, Jim Crow laws, and redlining kept Black Kansas Citians east of Troost Avenue for much of the mid-20th century. Prospect became one of the main commercial thoroughfares of the East Side during the 1950s and 1960s, providing the entertainment that the African-American community was barred from in locations such as Westport, the River Quay, and the Country Club Plaza. [3]
Enslaved African Americans performed the counterclockwise circle dance until someone was pulled into the center of the ring by the spiritual vortex at the center. The spiritual vortex at the center of the ring shout was a sacred spiritual realm where the ancestors and the Holy Spirit resided. [109]