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Nr. 1 in F minor (played by Wolfram Syré) No. 2 in C minor No. 3 in A major No. 4 in B-flat major No. 5 in D major No. 6 in D minor. The six sonatas are: No. 1 in F minor (Allegro – Adagio – Andante recitativo – Allegro assai vivace) No. 2 in C minor (Grave – Adagio – Allegro maestoso e vivace – Fugue: Allegro moderato)
Trio for Piano, Violin and Viola in C minor (1820) (MWV Q 3) Violin Sonata (No. 1) in F major (1820) (MWV Q 7) Die Soldatenliebschaft, singspiel, (1820) (MWV L 1) 19 miscellaneous pieces (plus several fragments) for organ (1820/45) Sinfonia for Strings No. 1 in C Major: I. Allegro, II. Andante, III. Allegro (1821) (MWV N 1)
Mendelssohn began work on the Violin Sonata in 1838, the same year he started work on the Violin Concerto in E minor. By the 15th of June 1838 he had completed the composition in draft form, but rejected the work as a "wretched sonata". [a] [3] It was not until 1839 that Mendelssohn began work on revising the sonata by rewriting the first ...
The Violin Sonata (No. 2) in F minor, Op. 4, MWV Q 12 for violin and piano was composed by Felix Mendelssohn in 1823 [1] and is the only one to carry an opus number. Mendelssohn composed two other violin sonatas, both in F major, that were not published in his lifetime.
Drei Motetten (Three motets), Op. 39, is a collection of three sacred motets for women's voices and organ by Felix Mendelssohn. Composed in 1830 for different liturgical occasions and in different scoring, they were published together in 1838.
A few days later Mendelssohn and his companion visited the western coast of Scotland and the island of Staffa, which in turn inspired the composer to start the Hebrides. [7] After completing the first version of the Hebrides, Mendelssohn continued to work on his initial sketches of what would become Symphony No. 3 while touring Italy. [3]