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Piano Concerto No. 3 (fragment) in E minor, Op. Posth. (1844) Violin Concerto (No. 1) in D minor, for violin and strings (1822) Violin Concerto (No. 2) in E minor, Op. 64 (1844) Recitative in G minor, for piano and strings (1820) Capriccio brillant for Piano and Orchestra in B minor, Op. 22 (1826, published 1832)
Nr. 1 in F minor (played by Wolfram Syré) No. 2 in C minor No. 3 in A major No. 4 in B-flat major No. 5 in D major No. 6 in D minor. The six sonatas are: No. 1 in F minor (Allegro – Adagio – Andante recitativo – Allegro assai vivace) No. 2 in C minor (Grave – Adagio – Allegro maestoso e vivace – Fugue: Allegro moderato)
Mendelssohn began work on the Violin Sonata in 1838, the same year he started work on the Violin Concerto in E minor. By the 15th of June 1838 he had completed the composition in draft form, but rejected the work as a "wretched sonata". [a] [3] It was not until 1839 that Mendelssohn began work on revising the sonata by rewriting the first ...
Mendelssohn originally proposed the idea of the violin concerto to Ferdinand David, a close friend and then concertmaster of the Leipzig Gewandhaus Orchestra. Although conceived in 1838, the work took another six years to complete and was not premiered until 1845. During this time, Mendelssohn maintained a regular correspondence with David, who ...
In the period when this concerto was composed (from 1821 to 1823 while aged 12 to 14) Mendelssohn composed twelve string symphonies. At the age of eleven, he had written a trio for strings, a violin and piano sonata, two piano sonatas and the beginning of a third, three more for four hands, four for organ, three songs (lieder), and a cantata.
The Triple Concerto, BWV 1044, is a concerto in A minor for traverso, violin, harpsichord, and string orchestra by Johann Sebastian Bach.He based the composition on his Prelude and Fugue BWV 894 for harpsichord and on the middle movement of his Organ Sonata BWV 527, or on earlier lost models for these compositions.