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Non-pitched percussion notation on a conventional staff once commonly employed the bass clef, but the neutral clef (or "percussion clef"), consisting of two parallel vertical lines, is usually preferred now. It is usual to label each instrument and technique the first time it is introduced, or to add an explanatory footnote, to clarify this.
To remember the number of humps on types of camels: [8]: ... The four spaces of the bass clef from the bottom to the top ... Registration, Required (charts ...
The only F-clef still in use is the bass clef, with the clef placed on the fourth line. Since it is the only F-clef commonly encountered, the terms "F-clef" and "bass clef" are often regarded as synonymous. Bass clef is used for the cello, double bass and bass guitar, bassoon and contrabassoon, bass recorder, trombone, tuba, and timpani.
Octave clef Treble and bass clefs can be modified by octave numbers. An "8" below the clef (as in the third diagram) indicates that pitches will sound an octave lower than they would with the unmodified clef. A "15" below indicates a two-octave shift. These numbers may also be used above the clef to indicate pitches one or two octaves higher.
The bass clef or F clef identifies the second line down as the note F below middle C. While the treble and bass clef are the most widely used, other clefs, which identify middle C, are used for some instruments, such as the alto clef (for viola and alto trombone) and the tenor clef (used for some cello, bassoon, tenor trombone, and double bass ...
[dubious – discuss] Typically, the upper staff uses a treble clef and the lower staff has a bass clef. In this instance, middle C is centered between the two staffs, and it can be written on the first ledger line below the upper staff or the first ledger line above the lower staff. Very rarely, a centered line with a small C clef is written ...
--in Nashville notation, the chord chart for both would be notated as 1 4 5 1. By convention, Nashville notation eliminates the slashes and bar lines that denote the beats in the measure: "With the number system it’s understood that each number written on your chart is given the value of one measure of music. In 4/4 time, that’s a total of ...
The numbers do not change when transposing the composition into another key. They are relative to the new Tonic. The only required knowledge is the major scale for the given key. Unless otherwise noted, all numbers represent major chords, and each chord should be played for one measure. So in the key of C, the Nashville Number System notation: