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The skull motifs, inspired by animal skulls and bones collected in the New Mexico desert, began appearing in O'Keeffe's work in 1931. [3] By the early 1930s, the news of Stieglitz's adultery had taken a significant emotional toll on O'Keeffe who suffered a nervous breakdown in 1932 and was hospitalized for psychoneurosis in New York in 1933. [ 5 ]
Mesolithic deer skull from Star Carr The Star Carr Frontlets (also known as the Star Carr Headdresses ) are a series of modified deer skulls, probably worn by people, from the Mesolithic site at Star Carr in North Yorkshire.
Both paintings show the fishooks floating above the water with a boundless horizon in the distance. O'Keeffe used this floating motif several years earlier in From the Faraway, Nearby (1937), which shows a deer skull and antlers hovering over a desert, a work that O'Keeffe believed captured the heart of the Southwest. [65]
Georgia Totto O'Keeffe (November 15, 1887 – March 6, 1986) was an American modernist painter and draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements. Called the "Mother of American modernism", O'Keeffe gained international recognition for her paintings of natural forms ...
Antler comes from the Old French antoillier (see present French : "Andouiller", from ant-, meaning before, oeil, meaning eye and-ier, a suffix indicating an action or state of being) [3] [4] possibly from some form of an unattested Latin word *anteocularis, "before the eye" [5] (and applied to the word for "branch" or "horn" [4]).
The antler frontlets are made from red deer stag (male) skulls with the antlers still attached. The 21 antler frontlets are sufficiently complete to see how they have been manufactured: two holes were perforated through the skull with a flint tool and the inside of the skull cap was smoothed. The antlers on each frontlet have been carefully ...