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The modern corporate font of Sheffield, Wayfarer designed by Jeremy Tankard, is designed with some influences of the Stephenson Blake Grotesque series but predominantly based on their unrelated sans-serif Granby. [42] [43] [11]
It was created by Bitstream Inc., launched in September 1999 (during the ATypI conference in Boston), and started selling fonts in March 2000. In November 2011, Monotype Imaging announced plans to acquire MyFonts and the other font-related parts of Bitstream for $50 million in cash. [ 1 ]
Kurinto Font Folio (open source , pan-Unicode, 21 typefaces, 506 fonts; v2.196 (July 26, 2020) has coverage of most of Unicode v12.1 plus many auxiliary scripts including the UCSUR) LastResort (fallback font covering all 17 Unicode planes, included with Mac OS 8.5 and up) Lucida Grande (Unicode font included with macOS; includes 1,266 glyphs)*
Monotype Grotesque is a large family of fonts, including very bold, condensed and extended designs, created at different times. Monotype offered a sans-serif capital alphabet as its fourth typeface cut; others were developed later.
Bitstream created a library of "classic" fonts (usually under different names for trademark reasons) in digital form. For example, Times Ten was released as Dutch 801, Akzidenz-Grotesk as Gothic 725, Antique Olive as Incised 901, Bembo as Aldine 401, Berthold Block as Gothic 821, Bodoni Campanile as Modern 735, Choc as Staccato 555, Eurostile as Square 721, Frutiger as Humanist 777, Gill Sans ...
Perpetua is a serif typeface that was designed by the English sculptor and stonemason Eric Gill for the British Monotype Corporation.Perpetua was commissioned at the request of Stanley Morison, an influential historian of printing and adviser to Monotype around 1925, when Gill's reputation as a leading artist-craftsman was high. [1]
10pt Memphis in metal type. Memphis is a slab-serif typeface designed by Rudolf Wolf and released in 1929 by the Stempel Type Foundry. [1]Memphis is a "geometric" slab serif, reflecting the style of German geometric sans-serifs (in particular Futura) which had attracted considerable attention, and adapting the design to the slab serif structure. [2]
Several revivals of the Didot faces have been made, first for hot metal typesetting and then for phototype and digital versions.. Digital use of Didot poses challenges. While it can look very elegant due to the regular, rational design and fine strokes, a known effect on readers is 'dazzle', where the thick verticals draw the reader's attention and cause them to struggle to concentrate on the ...