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more images: Solid wooden sliding doors Sugi-do made of sugi, and flat. Much heavier than frame doors such as fusuma. Kōshi (see Shōji#Frame) more images: Barred or latticed openwork panels May be fixed, sliding, or hinged. Modernly, may be backed with glass. The rails are often grouped in clusters; this clustering is called fukiyose (吹寄 ...
In modern construction, the shoji often do not form the exterior surface of the building; they sit inside a sliding glass door or window. [ 5 ] Shoji are valued for not setting a sharp barrier between the interior and the exterior; outside influences such as the swaying silhouettes of trees, or the chorus of frogs , can be appreciated from ...
The transition between the Shoin and Sukiya styles occurred during the early 1600s, as a new structure for storm shutters was devised. By stacking the opaque wooden sliding doors in a box called a to-bukuro, instead of simply overlapping them, the amount of light in the interior doubled, and unbroken views of the garden could be obtained.
Another sliding doors design, glass pocket doors has all the glass panels sliding completely into open-wall pockets, totally disappearing for a wall-less 'wide open' indoor-outdoor room experience. This can include corner window walls, for even more blurring of the inside-outside open space distinction.
Its characteristics were that sliding doors called fusuma and paper windows called shōji were fully adopted, and tatami mats were laid all over the room. [ 4 ] [ 5 ] The introduction of the tea ceremony emphasised simplicity and modest design as a counterpoint to the excesses of the aristocracy.
The term window shutter includes both interior shutters, used on the inside of a house or building, and exterior shutters, used on the outside of a structure. On some styles of buildings it is common to have shutters to cover the doors as well as the windows. [1]