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Cajun English is traditionally non-rhotic and today variably non-rhotic. A comparison of rhoticity rules between Cajun English, New Orleans English, and Southern American English showed that all three dialects follow different rhoticity rules, and the origin of non-rhoticity in Cajun English, whether it originated from French, English, or an independent process, is uncertain.
This standard English accent is common in Montreal, where the vast majority of Quebec's native English speakers live. English-speaking Montrealers have, however, established ethnic groups that retain certain lexical features: Irish, Jewish, Italian, and Greek communities that all speak discernible varieties of English. Isolated fishing villages ...
The influence of French on English pertains mainly to its lexicon, including orthography, and to some extent pronunciation. Most of the French vocabulary in English entered the language after the Norman Conquest in 1066. Old French, specifically the Old Norman dialect, became the language of the new Anglo-Norman court, the government, and the ...
To the untrained ear, those with the syndrome sound as though they speak their native languages with a foreign accent; for example, an American native speaker of American English might sound as though they spoke with a south-eastern British English accent or a native English speaker from Britain might speak with a New York accent. Contrary to ...
A Mid-Alantic accent is any of various accents of English that are perceived as blending features from both American and British English. [1] [2] Most commonly, the informal label of Mid-Atlantic accent, [3] [4] [5] or Transatlantic accent, [6] [2] [7] refers to certain non-rhotic speech taught and promoted in early 20th-century American schools of acting, voice, and elocution.
A diversity of earlier Southern dialects once existed: a consequence of the mix of English speakers from the British Isles (including largely English and Scots-Irish immigrants) who migrated to the American South in the 17th and 18th centuries, with particular 19th-century elements also borrowed from the London upper class and enslaved African-Americans.