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The Taliesin Orchestra (alternately known as Taliesin) is an American musical group, generally classified as new-age music. that specializes in remaking famous songs into orchestra-style melodies. The band's first album, Orinoco Flow: The Music of Enya , was a collection of songs originally created and sung by Enya ; it was released in 1996.
As with The Weather Channel's domestic STAR fleet, Weatherscan's XL and IntelliStar units were able to display a crawl (at the bottom third of the screen, which occupied the space filled by the provider ID spot from 2000 to 2003, and the regional weather and advertising crawls from 2005 onward) detailing watches, warnings and advisories issued ...
The music of Trammell Starks, used on Weatherscan and emergency cases since 2000, premiered at the end of the year with Starks' various other music pieces being used by the channel until early 2012. Major modernization (February 1996–March 1998)
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The first CD from the Weather Channel heralded the network's entry into retail music. The network's music had been a source of interest for viewers, who had written in for years asking where they could purchase the music played during the "Local on the 8s" segment, broadcast 288 minutes each day. The 12-song compilation features the channel's ...
Judy Trammell was a DCC from 1980 to 1984. Before becoming a choreographer for the DCC, Judy was on the team as a group leader and show group member from 1980-1984, according to CMT Press.
The Weather Channel was founded on July 18, 1980, [9] by television meteorologist John Coleman (who had served as a chief meteorologist at ABC owned-and-operated station WLS-TV in Chicago and as a forecaster for Good Morning America) and Frank Batten, then-president of the channel's original owner Landmark Communications (now Landmark Media Enterprises).
The Weather Channel Presents: Smooth Jazz II is a 2008 compilation by Midas Records. It was the second album from the Weather Channel and included their most requested music from the Local on the 8s segments. [2] It peaked at No. 9 on Billboard's Top Contemporary Jazz charts in the same year. [3]