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The origami crane diagram, using the Yoshizawa–Randlett system. The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models.
John Montroll was born in Washington, D.C. [1] He is the son of Elliott Waters Montroll, an American scientist and mathematician.He has a Bachelor of Arts degree in Mathematics from the University of Rochester, a Master of Arts in Electrical Engineering from the University of Michigan, and a Master of Arts in applied mathematics from the University of Maryland.
Origami folders often use the Japanese word kirigami to refer to designs which use cuts. In the detailed Japanese classification, origami is divided into stylized ceremonial origami (儀礼折り紙, girei origami) and recreational origami (遊戯折り紙, yūgi origami), and only recreational origami is generally recognized as origami.
Axioms 1 through 6 were rediscovered by Japanese-Italian mathematician Humiaki Huzita and reported at the First International Conference on Origami in Education and Therapy in 1991. Axioms 1 though 5 were rediscovered by Auckly and Cleveland in 1995. Axiom 7 was rediscovered by Koshiro Hatori in 2001; Robert J. Lang also found axiom 7.
Action toys include birds or butterflies with flapping wings, beaks that peck, and frogs that hop, [1] as well as popular traditional models like the fortune teller. Paper poppers or bangers are models that make a noise when flicked down hard. Some action origami is designed to accompany a story whilst it is built.
It is not certain when play-made paper models, now commonly known as origami, began in Japan. However, the kozuka of a Japanese sword made by Gotō Eijō (後藤栄乗) between the end of the 1500s and the beginning of the 1600s was decorated with a picture of a crane made of origami, and it is believed that origami for play existed by the Sengoku period or the early Edo period.
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Akira Yoshizawa (吉澤 章, Yoshizawa Akira, 14 March 1911 – 14 March 2005) was a Japanese origamist, considered to be the grandmaster of origami.He is credited with raising origami from a craft to a living art.