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From a Hindu point of view, the whole Universe is being brought into existence as the manifestation of the dance of the Supreme Dancer, Nataraja. In the Hindu scriptures, every god has his or her own style ( lasya and tandava respectively represent two aspects of dance) we read about 23 celestial beings called Apsarases who dance to please the ...
Performer at a Kannur district school dance festival, 2009. Mohiniyattam is an Indian classical dance form originating from the state of Kerala. [1] [2] The dance gets its name from Mohini – the female enchantress avatar of the Hindu deity Vishnu, who helps the devas prevail over the asuras using her feminine charm.
Lasya (Sanskrit: लास्य, romanized: Lāsya) is a female dance form that originated in India. [1] In Hindu mythology, Lasya refers to the dance innovated and performed by the goddess Parvati, described to be gentle and graceful. [2]
Here, the theyyam performer (above) embodies Raktheswari, a fierce manifestation of Kali, the Hindu goddess of destruction. She is portrayed drenched in blood, a powerful symbol of her raw energy ...
Whatever the origins of Shiva's dance, it became in time the clearest image of the activity of God which any art or religion can boast of." - Ananda Coomaraswamy [9] The 108 Karanas of Tandava depicted in Nataraja sculptures. The dance is described as a pictorial allegory of the five principle manifestations of eternal energy: [9]
(Hindu mythology/Buddhist mythology) Kaustubha is a divine jewel or "Mani", which is in the possession of Vishnu. (Hindu mythology) Navaratna are the sacred nine "royal gems". (Hindu mythology) Syamantaka (also Syamantakamani and Shyamantaka Jewel), the most famous jewel that is supposed to be blessed with magical powers. (Hindu mythology)
[23] [27] [28] Dance and performance arts, states this ancient Hindu text, [29] are a form of expression of spiritual ideas, virtues and the essence of scriptures. [ 21 ] [ 30 ] The 2nd century BC panels found in Bharhut show the dancers in a vertical stance with their arms' positions already suggesting today's Kathak movements.
Pandav Lila or Pandav Nritya (Sanskrit; literally "play of the Pandavas" and "dance of the Pandavas" respectively) is a ritual re-enactment of stories from the Hindu epic Mahabharata, through singing, dancing and recitation, that is practised in the Garhwal region of Uttarakhand, India.