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Details Notes The Torment of Saint Anthony c. 1487 – 1488 [9] Oil and tempera on panel 47 cm × 35 cm (18 + 1 ⁄ 2 in × 13 + 3 ⁄ 4 in) Kimbell Art Museum, purchased from Sotheby's auction, Catalogue of Old Masters sale (Lot No. 69), 9 July 2008 by Adam Williams Fine Art, New York, as "Workshop of Domenico Ghirlandaio". Subsequently ...
Michelangelo was the first Western artist whose biography was published while he was alive. [3] Three biographies were published during his lifetime. One of them, by Giorgio Vasari, proposed that Michelangelo's work transcended that of any artist living or dead, and was "supreme in not one art alone but in all three". [7]
Michelangelo probably began working on the plans and sketches for the design from April 1508. [39] The preparatory work on the ceiling was complete in late July the same year and on 4 February 1510, Francesco Albertini recorded that Michelangelo had "decorated the upper, arched part with very beautiful pictures and gold". [39]
The first stage in the decoration of the Sistine Chapel was the painting of the ceiling in blue, studded with gilt stars, [9] and with decorative borders around the architectural details of the pendentives. This was entirely replaced when Michelangelo came to work on the ceiling in 1508.
The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations.
Michelangelo, nonetheless, is one of the artists who gave rise to the notion of “late style”: the idea that the artist’s vision gets truer and more personal the older they get.
Casa Buonarroti is a museum in Florence, Italy that is situated on property owned by the sculptor Michelangelo that he left to his nephew, Leonardo Buonarroti. The complex of buildings was converted into a museum dedicated to the artist by his great nephew, Michelangelo Buonarroti the Younger.
According to Giorgio Vasari, shortly after the installation of his Pietà, Michelangelo overheard someone remark (or asked visitors about the sculptor) that it was the work of another sculptor, Cristoforo Solari, whereupon Michelangelo signed the sculpture. [11] Michelangelo carved the words on the sash running across Mary's chest.