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Scáthach (Irish: [ˈsˠkaːhəx]) or Sgàthach (Scottish Gaelic: Sgàthach an Eilean Sgitheanach) is a figure in the Ulster Cycle of Irish mythology. She is a legendary Scottish warrior woman and martial arts teacher who trains the legendary Ulster hero Cú Chulainn in the arts of combat.
Other female figures from Celtic mythology include the weather witch Cailleach (Irish for 'nun,' 'witch,' 'the veiled' or 'old woman') of Scotland and Ireland, the Corrigan of Brittany who are beautiful seductresses, the Irish Banshee (woman of the Otherworld) who appears before important deaths, the Scottish warrior women Scáthach, Uathach ...
In Tochmarc Emire she lives east of a land called Alpi, usually understood to mean Alba , where she is at war with a rival woman warrior, Scáthach. [1] In Aided Óenfhir Aífe she lives in Letha (the Armorican peninsula) [citation needed], and is Scáthach's sister as well as rival – they are both daughters of Árd-Greimne of Lethra. [2]
The Swedish heroine Blenda advises the women of Värend to fight off the Danish army in a painting by August Malström (1860). The female warrior samurai Hangaku Gozen in a woodblock print by Yoshitoshi (c. 1885). The peasant Joan of Arc (Jeanne d'Arc) led the French army to important victories in the Hundred Years' War. The only direct ...
The term Shield-maiden is a calque of the Old Norse: skjaldmær.Since Old Norse has no word that directly translates to warrior, but rather drengr, rekkr and seggr can all refer to male warrior and bragnar can mean warriors, it is problematic to say that the term meant female warrior to Old Norse speakers.
Goll mac Morna - warrior of the Fianna and uneasy ally of Fionn mac Cumhaill; Liath Luachra - Fionn's foster mother and a great warrior; Liath Luachra - tall, hideous warrior of the Fianna who shares his name with Fionn's foster mother; Oisín - son of Fionn mac Cumhaill, warrior of the Fianna and a great poet; Oscar - warrior son of Oisín and ...
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The fairly strong evidence for a tradition of sovereignty goddesses in early Ireland has led to a fashion in Celtic scholarship for interpreting other female characters as euhemerised sovereignty goddesses, or for arguing that the portrayals of women have been influenced by traditions of sovereignty goddesses.