Search results
Results From The WOW.Com Content Network
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
U2 3D was the first live-action film to be shot, posted, and exhibited entirely in 3D, [128] the first live-action digital 3D film, [129] and the first 3D concert film. [130] Regarding its production, it was the first 3D film shot using a zoom lens, [131] an aerial camera, [132] and a multiple-camera setup. [129]
"Technicolor is natural color" Paul Whiteman stars in an ad for his film King of Jazz from The Film Daily, 1930 Technicolor is a family of color motion picture processes. The first version, Process 1, was introduced in 1916, [1] and improved versions followed over several decades.
Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color. The first color cinematography was by additive color systems such as the one patented by Edward Raymond Turner in 1899 ...
With World War I film stock became more expensive, so the company limited production of Kinemacolor films. The last Japanese film produced in Kinemacolor was Saiyûki Zokuhen (1917). Frame from the Kinemacolor film Balkan War Scenes (1912), filmed by James Scott Brown and Frederic Villiers during the First Balkan War.
The first full-color animations were photographed using three-strip cameras. From 1934, animations were filmed using modified black and white cameras taking successive exposures through three color filters on a single panchromatic film, being simpler to operate and far less expensive. The technique lasted until 1973 (Robin Hood, Disney).
[3] [13] [14] It was also the first time Ford filmed in Monument Valley. [15] That same year Ford made Young Mr. Lincoln and Drums Along the Mohawk, both with Henry Fonda. [16] The latter was Ford's first film shot in Technicolor. [17] In 1940, Ford made The Grapes of Wrath with Fonda and The Long Voyage Home with Wayne and Mitchell. [18]
The film was his first in Technicolor and is remembered for its use of long takes to make the film appear to be a single continuous shot. [10] Three years later, he directed Strangers on a Train (1951). Hitchcock collaborated with Grace Kelly on three films: Dial M for Murder (1954), Rear Window (1954) and To Catch a Thief (1955).