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Backmasking is a recording technique in which a message is recorded backward onto a track that is meant to be played forward. [1] It is a deliberate process, whereas a message found through phonetic reversal may be unintentional. Artists have used backmasking for artistic, comedic and satiric effect, on both analogue and digital recordings.
Contains many backwards and hidden messages, both visual and auditory. [34] It was a further response to the Satanic backmasking controversy. [31] The British release contains a parody warning label about the backward messages, but this was deleted by CBS Records for the United States version. [33] Missy Elliott "Work It"
Several The Beatles songs of the period — including Revolver (1966) tracks "I'm Only Sleeping" and "Tomorrow Never Knows" — also feature recordings of electric guitars, sitars and "birds" which have been reversed. [6] Another famous example of the use of reverse tape effects is their 1967 single "Strawberry Fields Forever."
The Beatles' well-known use of reversed tapes led to rumours of backwards messages, including many that fueled the Paul is Dead urban myth. However, only "Rain" and " Free as a Bird " include intentional reversed vocals in Beatles songs.
The song's recording contains a slowed-down rhythm track, a droning bass line and backwards vocals. Its release marked one of the first times that reversed sounds appeared in a pop song, although the Beatles used the same technique on the Revolver track "Tomorrow Never Knows", recorded days earlier. [4]
Lennon's vocal is double-tracked on the first three verses of the song: the effect of the Leslie cabinet can be heard after the (backwards) guitar solo. [52] The track includes the highly compressed drums that the Beatles favoured at the time, with reverse cymbals, reverse guitar, processed vocals, looped tape effects, and sitar and tambura ...
Beyonce "Single Ladies (Put A Ring On It)" "Ho, ho, ho, ho! / ('a knish' or 'finish') two bucks / Hey, you missin', ah ('All the single ladies' backwards) / Dracula, son of the Devil, go on, leave me / go on, leap faith / I'm the one I miss / I made an err(or) / incest / I'm scarce / thin skin, and then (muzig) / Rust in an oak / Rub it out, Baalzebub / No Shit (mit) McNelly's (a possible ...
The Beatles' pioneering studio effects on Revolver proved highly influential on other contemporary artists. [25] Musicologist Walter Everett cites the inclusion of backwards guitar parts on Crosby, Stills & Nash 's 1969 song "Pre-Road Downs" as an apparent "homage" to "I'm Only Sleeping".