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The musical score for Star Wars Episode III: Revenge of the Sith, the Star Wars saga's sixth installment, was recorded over fourteen days at Abbey Road Studio with the London Symphony Orchestra and London Voices starting on February 3, 2005, and ending on February 17, with one morning allocated specifically for vocal recording.
Nominated—Grammy Award for Best Instrumental Composition ("Anakin's Betrayal") Nominated—Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television, or Other Visual Media: War of the Worlds: Steven Spielberg: Paramount Pictures DreamWorks Pictures Amblin Entertainment Cruise/Wagner Productions
Best Original Music Star Wars: Episode V – The Empire Strikes Back: John Williams Won [22] Best Production Design Norman Reynolds: Nominated Best Sound Peter Sutton, Ben Burtt and Bill Varney: Nominated 1984: Best Special Visual Effects: Star Wars: Episode VI – Return of the Jedi: Richard Edlund, Dennis Muren, Ken Ralston and Kit West: Won [23]
John Williams, composer of the music of all nine Skywalker Saga films. The music of the Star Wars franchise is composed and produced in conjunction with the development of the feature films, television series, and other merchandise within the epic space opera multimedia franchise created by George Lucas.
Star Wars: Episode III – Revenge of the Sith is a 2005 American epic space opera film that is the sequel to The Phantom Menace (1999) and Attack of the Clones (2002). It is the sixth film in the Star Wars film series, the third installment in the Star Wars prequel trilogy, and third chronological chapter of the "Skywalker Saga".
The soundtrack to Star Wars: Episode II – Attack of the Clones was released by Sony Classical on April 23, 2002. The music was composed and conducted by John Williams, and performed by the London Symphony Orchestra and London Voices in January 2002, with orchestrations provided by Conrad Pope and Eddie Karam.
The music had its debut during the final lightsaber duel between Qui-Gon Jinn, Obi-Wan Kenobi, and Darth Maul in Star Wars: Episode I – The Phantom Menace.The beginning portion used on the soundtrack is replaced with the beginning of a separate track titled Qui-Gon's Noble End; [5] however, the full version of the original recording is used during the film's end credits.
The original release of the soundtrack only contained one disc. This is also the same track listing for Walt Disney Records' 2018 reissue. As Williams had done on his earlier releases for Star Wars soundtracks, the score is arranged with a greater emphasis on musical flow for a quality album listening experience rather than in order of the movie's chronology.