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According to Mir, Syed Sadaat Ali, a Sayyid of Amroha convinced him to pursue poetry in Urdu: [16] [17] "A Sayyid from Amroha took the trouble to put me on to writing poetry in the Urdu medium, the verse which resembled Persian poetry. Urdu was the language of Hindustan by the authority of the king and presently it was gaining currency.
The Urdu ghazal is a literary form of the ghazal-poetry unique to the Indian subcontinent, written in the Urdu standard of the Hindostani language. It is commonly asserted that the ghazal spread to South Asia from the influence of Sufi mystics in the Delhi Sultanate .
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Shehzad Ahmed [1] (Urdu: شہزاد احمد 16 April 1932 – 2 August 2012; sometimes spelled Shahzad Ahmad), was a Pakistani Urdu poet, writer and director of Majlis-e-Taraqqi-e-Adab, an old-book library of Pakistan. Shehzad's poetry collection comprises about thirty books and several other publications on psychology.
The recurring theme of elusive love is often explored in ghazals such as "Wo tou khushbu hai" (He is fragrance), where the poet describes the essence of love as fleeting and intangible, like a scent. For example, in "Khushbu bhi us k tarz-e-pazeerai per gai" (Fragrance also goes by his style of welcome), the poet suggests that even fragrance is ...
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
The Mosque of Cordoba (Urdu: مسجد قرطبہ, romanized: Masjid-e Qurtaba) is an eight-stanza Urdu poem by Muhammad Iqbal, written circa 1932 and published in his 1935–36 collection Bāl-e Jibrīl ('The Wing of Gabriel'). It has been described as "one of his most famous pieces" and a "masterpiece". [1]
Akhtar was innovative and introduced new trends in Urdu poetry. At a very young age, he wrote philosophical and inspiring poems. He was called شاعرِ رومان (the poet of romance). [3] His best-known collections of poetry include Akhtaristan, Nigarshat-e-Akhtar, Lala-e-toor, Tayyur-e-Aawara, Naghma-e-Haram, Subh-e bahaar, and Shahnaz.