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Musically, "Slipping Away" is a slow "dreamy" [6] ballad song that features Richards as its lead vocalist, with Jagger singing backing vocals alongside Sarah Dash, Lisa Fischer, and Bernard Fowler. Richards and Ron Wood perform the song's rhythm guitar parts. Bill Wyman provides the prominent bass while Charlie Watts performs drums.
"Slipping Away" is a song by Max Merritt. It was released as a single in 1975 by his then UK-based New Zealand group, Max Merritt and The Meteors. The second single from their album A Little Easier, it gave Max Merritt the biggest hit of his career in Oceania, peaking at #2 in Australia and #5 in New Zealand. “That song struck a chord with a ...
Slipping Away or Slippin' Away may refer to: . Slipping Away, by Tim Heidecker, 2024 "Slipping Away" (Dave Edmunds song), 1983 "Slippin' Away" (Jean Shepard song), 1973 Slippin' Away, a 1973 album of the same name
"Slipping Away" is a song by American electronic musician Moby. It was released as the sixth and final single from his seventh studio album Hotel on January 23, 2006. It served as the fourth single from Hotel in the United Kingdom, where it peaked at number 53 on the UK Singles Chart, [2] and as the sixth international single from the album.
"Slip Slidin' Away" is a 1977 song written and recorded by Paul Simon which appears on his compilation album Greatest Hits, Etc. It was one of two new songs to appear on the album, the other being "Stranded in a Limousine". Backing vocals on the song are provided by The Oak Ridge Boys.
The song was written and produced by Jeff Lynne of Electric Light Orchestra fame and was included on Edmunds' 1983 album Information. [4] " Slipping Away" was released as a single and became Edmunds' second and final Top 40 single in the US, following 1970's " I Hear You Knocking ".
The Nobody Wants This star recently revisited her 2013 animated hit, revealing that a lyric from the song "For the First Time in Forever" included an intentional double entendre.
"Slip Away", arranged and produced by Rick Hall, was recorded at FAME Studios in a mid-1967 recording session whose players, besides vocalist Clarence Carter himself on guitar, included visiting American Sound Studio (Memphis) session regulars Spooner Oldham on keyboards and Tommy Cogbill whose bass riffs on the track would become iconic in the canon of Southern soul: other session players ...