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Clarendon is a slab serif typeface that was released in 1845 by Thorowgood and Co. (or Thorowgood and Besley) of London, a letter foundry often known as the Fann Street Foundry. The original Clarendon design is credited to Robert Besley , a partner in the foundry, and was originally engraved by punchcutter Benjamin Fox, who may also have ...
Samples of Monospaced typefaces Typeface name Example 1 Example 2 Example 3 Anonymous Pro [1]Bitstream Vera Sans Mono [2]Cascadia Code: Century Schoolbook Monospace
The x-height (height of lower-case letters) is low, especially at larger sizes, making the capitals large relative to the lower case, while the top serifs on the ascenders of letters like 'd' have a downward slope and ride above the cap height. [8] The axis of letters like the ‘o’ is diagonal and the bottom right of the italic 'h' bends ...
Aptos, originally named Bierstadt, is a sans-serif typeface in the neo-grotesque style developed by Steve Matteson. [3] It was released in 2023 as the new default font for the Microsoft Office suite, replacing the previously used Calibri font.
Letter Gothic is a monospaced sans-serif typeface. It was created between 1956 and 1962 by Roger Roberson for IBM in their Lexington, Kentucky, plant, and was inspired by the original drawings for Optima. [1] It was initially intended to be used in IBM's Selectric typewriters. It is readable and is recommended for technical documentation and ...
The fonts are publicly available and have few usage restrictions. [4] Vector fonts are easily scaled and rotated in two or three dimensions; consequently the Hershey fonts have been widely used in computer graphics, computer-aided design programs, and more recently also in computer-aided manufacturing applications like laser engraving.
Both fonts consist of only capital letters with rounded edges and thick main strokes, much like a Clarendon typeface, except with breaks in the face to give it the appearance of the stenciled alphabets used on boxes and crates. [1] Powell's exploration of Stencil became very popular over time and is still used today.
Atkinson Hyperlegible contains four styles, each of 335 glyphs: regular, bold, italics, and italics bold.It supports diacritics in 27 languages. [4]Elliott Scott of Applied Design Works and studio creative director Craig Dobie made the decision "to break a lot of rules that a lot of designers will care about", [1] for instance adding serifs to the uppercase i but not the uppercase tee [2] and ...