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Men's Oxford full brogue spectator shoes, c. 1930 The spectator shoe, also known as co-respondent shoe, is a style of low-heeled, oxford, semi-brogue or full brogue constructed from two contrasting colours, typically having the toe and heel cap and sometimes the lace panels in a darker colour than the main body of the shoe.
Oxford shoes are also known for their variation or style. The Cap-Toe Oxford is the most well-known, although 'Whole Cut', 'Plain Toe', and a variation of 'Brogue' Oxfords are commonly referred to styles. [5] Shoes with closed lacing (Oxfords/Balmorals) are considered more formal than those with open lacing (Bluchers/Derbys). [6]
Huaraches are a type of minimalist shoe. In their 2018 paper for the Journal of Sports Sciences, Devon R. Coetzee their co-authors defined minimalist footwear as having a sole and upper that weighed 200-gram (7.1 oz) or less and were highly flexible, a heel height of 20 millimetres (0.79 in) or shorter, and a "heel-toe differential" of 7 millimetres (0.28 in) or less.
Viewed from the top, this toe cap style is W-shaped and looks similar to a bird with extended wings, explaining the style name "wingtips" that is commonly used in the United States. The toe cap of a full brogue is both perforated and serrated along its edges, and includes additional decorative perforations in the centre of the toe cap called ...
Shoes are also used as an item of decoration. The design of shoes has varied enormously through time and from culture to culture, with appearance originally being tied to function. Additionally, fashion has often dictated many design elements, such as whether shoes have very high heels or flat ones. Contemporary footwear varies widely in style ...
These kicks, built for “right-out-of-the-box comfort,’ have a secret weapon you won’t find in many other fashion-forward footwear: memory foam from heel to toe.
Nothing in pointe shoe design prevents a foot’s "slippage", in which, when en pointe, the dancer’s weight forces their foot down into the shoe until their big toe meets the end of the toe box. Measurements have shown that most of the dancer's weight en pointe is borne by the big toe(s) regardless of the length of the second toe.
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