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A ♭ (A-flat; also called la bémol) is the ninth semitone of the solfège. It lies a diatonic semitone above G and a chromatic semitone below A , thus being enharmonic to G ♯ , even though in some musical tunings , A ♭ will have a different sounding pitch than G ♯ .
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
Italian "solfeggio" and English/French "solfège" derive from the names of two of the syllables used: sol and fa.[2] [3]The generic term "solmization", referring to any system of denoting pitches of a musical scale by syllables, including those used in India and Japan as well as solfège, comes from French solmisation, from the Latin solfège syllables sol and mi.
Most notes showing a double-flat or double-sharp correspond in pitch with a natural note but, since they are notated differently, are considered enharmonic equivalents of the natural note. The same is true for F ♭, C ♭, E ♯, and B ♯. In John Stump's Prelude and the Last Hope, double naturals are used to cancel double flats in a key ...
Guidonian hand, from 1274 Biblioteca Ambrosiana. Solmization is a mnemonic system in which a distinct syllable is attributed to each note of a musical scale.Various forms of solmization are in use and have been used throughout the world, but solfège is the most common convention in countries of Western culture.
Max Bruch's Concerto for Two Pianos in A-flat minor has its last movement in A-flat major, which is the parallel major; this concerto plays with the contrast between the two keys. Scott Joplin's Maple Leaf Rag is also written in A-flat major (the trio part of the composition is written in D-flat major). Other compositions in A-flat major include:
Note names are also used for specifying the natural scale of a transposing instrument such as a clarinet, trumpet, or saxophone. The note names used are conventional, for example a clarinet is said to be in B ♭ , E ♭ , or A (the three most common registers), never in A ♯ , and D ♯ , and B (double-flat), while an alto flute is in G. [ 2 ]
In a minor key, it is indicated by "ii o" if it is built on the a natural minor scale, indicating that the chord is a diminished chord (in C: D–F–A ♭). Because it is a diminished chord, it usually appears in first inversion (ii o6 ) so that no note dissonates with the bass note .