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The "Deep Elm Blues" (also spelled "Deep Elem Blues" or "Deep Ellum Blues" [1]) is an American traditional song.The title of the tune refers to the historical African-American neighborhood in downtown Dallas, Texas known as Deep Ellum, which was home to blues musicians including Blind Lemon Jefferson, Blind Willie Johnson, Lead Belly, and Bill Neely.
The Shelton Brothers, Bob, Joe and Merle, were pioneer country musicians and renowned recording artists based out of Texas from 1933 through the 1960s.They created and popularized the songs Johnson's Old Gray Mule, Deep Elm Blues, These Shoes Are Killing Me, Oh Monah, Match Box Blues and My Heart Oozes Blood For You, "What's The Matter With Deep Elm", "I'm A Handy Man To Have Around" and ...
The Shelton Brothers iterated the name of the district in "Deep Elem Blues, No. 2", "What's the Matter with Deep Elem", and "Deep Elm Boogie Woogie Blues". Dick Stabile and his Orchestra, the Texas Wanderers, and the Wilburn Brothers all invoked the district's name in separate Decca pressings. [26] "Deep Ellum Blues" was later performed by the ...
Willard Robison (September 18, 1894 – June 24, 1968) was an American vocalist, pianist, and composer of popular songs, born in Shelbina, Missouri.His songs reflect a rural, melancholy theme steeped in Americana and their warm style has drawn comparison to Hoagy Carmichael.
The band's fourth and last video, for the song "Brave Beyond the Call", was filmed during this period. Directed by Adam Rothlein, the video was shown briefly on MTV . At this point, the group met Will Tanous , a friend who had wanted Colossus on his label, and who also worked for the HBO live music show Reverb .
Latterman is an American semi-active four-piece punk rock band from Huntington, New York, United States.. Phil Douglas and Mattie Jo Canino respectively would go on to form the equally acclaimed Iron Chic and RVIVR.
Harry Styles dropped a music video for his "Harry's House" hit "Satellite" on May 3. Here's what the lyrics behind the bop might mean.
In October 1954, Howlin' Wolf recorded his version, titled simply "Forty Four", as an electric Chicago blues ensemble piece. Unlike the early versions of the song, Wolf's recording featured prominent guitar lines and an insistent "martial shuffle on the snare drum plus a bass drum that slammed down like an industrial punch-press", according to biographers. [7]