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Jules and Jim (French: Jules et Jim [ʒyl e dʒim]) is a 1962 French New Wave romantic drama film directed, produced and co-written by François Truffaut.Set before, during, and after World War I, it follows a tragic love triangle involving French bohemian Jim (Henri Serre), his shy Austrian friend Jules (Oskar Werner), and Jules' girlfriend and later wife Catherine (Jeanne Moreau).
Roché was born in Paris, France. In 1898, he was an art student at the Académie Julian. [1]Roché became a journalist as well as an art collector and dealer. At the turn of the 20th century, he became close friends with young European artists in the Montparnasse Quarter of Paris, including Manuel Ortiz de Zárate and Marie Vassilieff; and from Montmartre, Max Jacob and Pablo Picasso.
Henri Serre (26 February 1931 – 9 October 2023) was a French actor who was best known for his role as Jim, a "vivid, melancholy, and finally tragic figure" [1] in François Truffaut's Jules and Jim. Other appearances include The Fire Within, Section spéciale and Mister Frost. Serre died on 9 October 2023, at the age of 92. [2]
In the 1960s she appeared in New Wave films such as Jules and Jim and The Thief of Paris, thrillers like Hot Line, and comedies like La Ronde, La Grande Vadrouille, and Monte Carlo or Bust. Other film appearances by Dubois during the 1970s include L'Innocente , The Surveyors , Vincent, François, Paul et les autres , Night Flight from Moscow ...
He is the author of more than 150 songs, including the famous Le Tourbillon , sung by Jeanne Moreau in the film Jules and Jim, [3] as well as J'ai la mémoire qui flanche , also performed by Moreau (he signed these songs under pseudonym Cyrus Bassiak, which means "barefoot" in Russian). [3]
Jean-Pierre Grumbach (20 October 1917 – 2 August 1973), known professionally as Jean-Pierre Melville (French: [ʒɑ̃ pjɛʁ mɛlvil]), was a French filmmaker.Considered a spiritual godfather of the French New Wave, he was one of the first fully-independent French filmmakers to achieve commercial and critical success.
The 400 Blows (French: Les quatre cents coups) is a 1959 French coming-of-age drama film, [3] and the directorial debut of François Truffaut, who also co-wrote the film.Shot in the anamorphic format DyaliScope, the film stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier.
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