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The LCD. The VL-1 featured a small LCD display capable of displaying 8 characters. This was primarily used for the calculator function, but also displayed notes played. The VL-1 also had changeable tone and balance, basic tempo settings and a real-time monophonic music sequencer, which could play back up to 99 notes.
An upright pedal piano. Along with the development of the pedals on the piano came the phenomenon of the pedal piano, a piano with a pedalboard. Some of the early pedal pianos date back to 1815. [10] The pedal piano developed partially for organists to be able to practice pedal keyboard parts away from the pipe organ. In some instances, the ...
An Ibanez DE-7 delay pedal Sound example of a plugin simulation of an analog delay (EHX Memory Man) with modulation and pitch shift. Digital delay systems function by sampling the input signal using an analog-to-digital converter. The resulting digital audio is passed through a memory buffer and recalled from the buffer a short time later.
An upright pedal piano. The pedal piano (or pedalier piano) [12] is a kind of piano that includes a pedalboard [13] There are two types of pedal piano: A pedal board integrated with a manual piano instrument, using the same strings and mechanism as the manual keyboard; An independent, pedal played piano with its own mechanics and strings ...
Home spinet organ. Two 3½-octave manuals and 1-octave pedals. Includes Leslie tremolo, a chime effect stop, and a "glide" switch on the side of the volume pedal. There is also an Automatic Orchestra tab witch adds chord tones from the lower keyboard to the upper keyboard. The "-1" adds a repeat function. Encore (M-100) 1979 Festival 1960-1966
Has portamento, pitch bender, three reverb effects, velocity sensitive keyboard. CT 888 2002 73 full MIDI CT 6000 1985 61 full 20 8 in/out 8 tone effects, pitch bender wheel with full octave range, velocity sensitive keyboard. [56] CT 6500 1986 61 full 48 8 MIDI 3 tone effects, modulation wheel and other features. [57] CTK 50 1995 49 full 100 8 ...
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Digital reverb units simulate reverb by using multiple delay lines with fading trails, giving the impression of sound bouncing off surfaces. Some digital effects allow users to independently adjust early and late reflections. [2] Digital reverb was introduced in 1976 by EMT with the EMT 250, [2] and became popular in the 1980s. [1]