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A tithing or tything was a historic English legal, administrative or territorial unit, originally ten hides (and hence, one tenth of a hundred). Tithings later came to be seen as subdivisions of a manor or civil parish. The tithing's leader or spokesman was known as a tithingman. [1] [2] [3]
Prior to the 10th century no attempt was made to represent a separate depiction as a full human figure of God the Father in Western art. [3] Yet, Western art eventually required some way to illustrate the presence of the Father, so through successive representations a set of artistic styles for the depiction of the Father in human form ...
the landless man was worthless as a member of a frith-borh, for the law had little hold over a man who had no land to forfeit and no fixed habitation. So the landless man was compelled by law to submit to a manorial lord , who was held responsible for the behaviour of all his "men"; his estate became, so to speak, a private frith-borh ...
A tithe (/ t aɪ ð /; from Old English: teogoþa "tenth") is a one-tenth part of something, paid as a contribution to a religious organization or compulsory tax to government. [1] Modern tithes are normally voluntary and paid in cash , cheques or via online giving, whereas historically tithes were required and paid in kind , such as ...
Sheet 3 of the Joshua Roll; Joshua and the Israelites Portion of the Joshua Roll; scenes before the battle at Gibeon – the moon and sun are seen at the right.. The Joshua Roll is a Byzantine illuminated manuscript of highly unusual format, probably of the 10th century Macedonian Renaissance, [1] believed to have been created by artists of the imperial workshops in Constantinople, [2] and now ...
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10th-century illumination in the Paris Psalter which depicts the life of King David, traditionally regarded as the author of the Book of Psalms. In total there are 14 images throughout the psalter. Byzantine illuminated manuscripts were produced across the Byzantine Empire, some in monasteries but others in imperial or commercial workshops.
The earliest fore-edge paintings date as far back as the 10th century; these earliest paintings were symbolic designs, which may have been used for identification purposes, rather than decoration. [1] Early English fore-edge paintings, believed to date to the 14th century, presented heraldic designs in gold and other