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The Moeller Method uses the whipping motion, described above, and applies it to the 4 basic strokes of drumming, the Full, Up, Down, and Tap strokes. [6] Using a combination of the basic strokes, in the whipping Moeller style it is possible to play extremely quickly with minimal effort, or to introduce a series of accents into a stream of notes with relative ease. [7]
Backsticking is a snare drum technique characterized by swinging the butt of the drumstick to play the drum. There are many different methods. There are many different methods. The most common method is executed simply by turning the right wrist upward sharply at a 90-degree angle.
The heel-toe foot technique was pioneered by drummers of the big band era. [1] The application most commonly used for this technique at that time was a rocking motion that assisted the drummer in keeping solid time on the hi-hat, while simultaneously playing timpani type floor tom rhythms or swinging the ride cymbal.
It is recommended that once a rudiment is learned, as far as the technical sticking and accents, that it be practiced regularly with the open, closed, open technique as well as at a moderate march tempo to ensure that a drummer or percussionist is able to play the rudiment accurately at any speed necessary for performance of musical repertoire. [4]
Elvin Jones playing drum kit using traditional grip, 1976. Traditional grip (also known as orthodox grip or conventional grip, fundamental grip and, to a lesser extent, the jazz grip) is a technique used to hold drum sticks while playing percussion instruments. Unlike matched grip, each hand holds the stick differently.
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The method involves not crossing the hands when playing the hi-hat (or ride-cymbal) and snare drum simultaneously as opposed to the more traditional way of playing drums which features crossed hands as the basic playing position. [1] Absolute beginners often choose this open-handed way of playing as their first and natural attempt at drumming.
The Casey Claw is a rudimental snare drum technique that is used as an impressive visual effect for a very short phrase of music. It was created by Mark Casey in 1990 while attending the University of Kentucky.