Search results
Results From The WOW.Com Content Network
For the philosophical question of the ship's identity, see Ship of Theseus.) After the reforms of Cleisthenes, a ship was named for each of the ten tribes that political leader had created; these ships may also have been sacred ships. [4] Another known sacred ship was the Theoris (θεωρίς), a trireme kept for sacred embassies. [5]
In fact the dance has ten steps in total. The Cretan violinist Stefanos Triantafillakis (1715–1800) is credited with composing the music for the dance in 1770–1771. [1] The Pentozali is a war dance, vigorous, with high jumping movements and allows for much improvisation. It starts either at a fast pace or at a moderate pace and accelerates ...
Akrítas óndes élamnen, translated by Thede Kahl. Birds, including the eagle, were a common motif in Pontian folklore, and Greek folklore at large. One song, Aitén'ts eperipétanen ("An eagle flew high"), speaks of an eagle carrying the arm of an unknown soldier in its claws. The fallen soldier himself lies dead on the mountainside. The song is highly allegorical. Many Acritic songs from ...
Georgian dance (Georgian: ქართული ცეკვა) is the traditional dance of Georgia. It stems from military moves, sports games, and dances celebrated during holidays in the Middle Ages. The dance was popularized by the founders of the Georgian National Ballet, [1] Iliko Sukhishvili, and his wife, Nino Ramishvili.
The Paralus or Paralos (Greek: Πάραλος, "sea-side"; named after a mythological son of Poseidon), was an Athenian sacred ship and a messenger trireme of the Athenian navy during the late 5th century BC. Its crew were known for their vehement pro-democracy views.
Names of many Greek dances may be found spelt either ending with -o or with -os. This is due to the fact that the word for "dance" in Greek is a masculine noun, while the dance itself can also be referred to by a neuter adjective used substantively. Thus one may find both "hasapiko" ("the butcher thing") and "hasapikos (horos)" - "the butcher ...
Music of Thessaly is the music of the geographic and historical region of Thessaly (Greek: Θεσσαλία) in Greece. [1] Folk dances from Thessaly are slow and stately, however the music accompanying the Syrtos dance, is typically livelier and more energetic than it is in other parts of Greece and include: Kalamatianos, Thessalikos, Dionysiakos, koftos, Sirtaki, Kalamatiano, Syrtos ...
Gurdjieff taught that the movements were not merely calisthenics, exercises in concentration, and displays of bodily coordination and aesthetic sensibility.Instead, the movements expressed knowledge that had been passed from generation to generation of initiates, each posture and gesture helping the participant to become more aware of themselves in movement.