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Six (running on the Village's beach): I am not a number; I am a free man!!! Two: [Laughter] A close-up of the actor playing Number Two in the particular episode is usually inserted once. Credits for guest stars, producer David Tomblin, script editor George Markstein (thirteen episodes only), the writer(s) and director are superimposed over this.
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Verbatim means word for word. It may refer to: Verbatim, a 1996 album by Bob Ostertag "Verbatim" (song), a 2015 song by Blackbear; Verbatim (brand), a brand of storage media and flash memory; Verbatim (horse), an American racehorse; Verbatim, edited by Erin McKean; Verbatim theatre, a form of documentary theatre
HTML5 defines subtitles as a "transcription or translation of the dialogue when sound is available but not understood" by the viewer (for example, dialogue in a foreign language) and captions as a "transcription or translation of the dialogue, sound effects, relevant musical cues, and other relevant audio information when sound is unavailable ...
US copyright law protects against paraphrasing a story by, for example, copying a detailed plot sequence but using different language for the dialogue. However, under the doctrine of " scènes à faire ", it does not protect more general patterns, such as story themes and character prototypes.
A sung-through stage musical, musical film, opera, or other work of performance art is one in which songs entirely or almost entirely replace any spoken dialogue. Conversations, speeches, and musings are communicated musically, for example through a combination of recitative, aria, and arioso.
Often this process is performed on films by replacing the original language to offer voiced-over translations. After sound editors edit and prepare all the necessary tracks—dialogue, automated dialogue replacement (ADR), effects, foley, and music—the dubbing mixers proceed to balance all of the elements and record the finished soundtrack.
Dialog, music and sound effects, called "D-M-E", are brought to the final mix as separate stems. Using stem mixing, the dialog can easily be replaced by a foreign-language version, the effects can easily be adapted to different mono, stereo and surround systems, and the music can be changed to fit the desired emotional response.