Search results
Results From The WOW.Com Content Network
The Fayum portraits are the only large body of art from that tradition to have survived. They were formerly, and incorrectly, called Coptic portraits. Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara and the Hadrianic Roman city Antinoopolis. "Faiyum portraits" is generally used as ...
The back of a Middle Kingdom paddle doll dated approximately from 2030 B.C.E to 1802 B.C.E. Egyptologists have determined that paddle dolls represent female members of the Theban khener-troupe of singers and dancers that served at religious ceremonies for the goddess Hathor and were perhaps appended by Nebhepetre to his royal mortuary cult at Deir el-Bahari.
In certain cases, such as the Apis bull, the animal could even be a way to communicate the desires of the deity. The Apis bull cult was the main source of this type of religious animal mummy in ancient Egypt, as most other animals were mummified in large quantities for religious offerings. [28]
The entire Faiyum region – the "Land of the Lake" in Egyptian (specifically referring to Lake Moeris) – served as a cult center of Sobek. [11] Most Faiyum towns developed their own localized versions of the god, such as Soknebtunis at Tebtunis, Sokonnokonni at Bacchias, and Souxei at an unknown site in the area.
At this point, bodies were regularly arranged in a crouched, compact position, with the face pointing toward either the east and the rising sun or the west that in this historical period was the land of the dead. Artists painted jars with funeral processions and perhaps images of ritual dancing.
For what generally is considered to be lauding purposes of the pharaohs, a later myth briefly was circulated claiming that Wepwawet was born at the sanctuary of Wadjet, the sacred site for the oldest goddess of Lower Egypt that is located in the heart of Lower Egypt. Consequently, Wepwawet, who had hitherto been the standard of Upper Egypt ...
Known as "The swift one", the animal sacred to her was the hare, but originally, she had the form of a snake. She came from the fifteenth Upper Egyptian province, the Hare nome (called Wenet in Egyptian), and was worshipped with Thoth at its capital Hermopolis (in Egyptian: Wenu). Later she was depicted with a woman's body and a hare's head. [2]
The body was exhibited at once in the First Egyptian Room, and for the first time the British public saw a neolithic Egyptian. — Wallis Budge , By Nile and Tigris , 1920 [ 5 ] Of the other five bodies, only the female adult, given museum number EA 32752, has been exhibited.