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The Seven Basic Plots: Why We Tell Stories is a 2004 book by Christopher Booker containing a Jung-influenced analysis of stories and their psychological meaning. Booker worked on the book for 34 years.
The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors.
The term plot can also serve as a verb, as part of the craft of writing, referring to the writer devising and ordering story events. (A related meaning is a character's planning of future actions in the story.) The term plot, however, in common usage (e.g., a "film plot") more often refers to a narrative summary, or story synopsis.
Many stories, especially in the fantasy genre, feature an object or objects with some great magical power, such as a crown, sword, or jewel. Often what drives the plot is the hero's need to find the object and use it for good, before the villain can use it for evil, or if the object has been broken by the villains, to retrieve each piece that must be gathered from each antagonist to restore it ...
Short story – A circular paradox in which a man discovers that he is his own mother and father. 1959–1989 The Time Machine series "Donald Keith" alias of Donald & Keith Monroe: Series of 23 short stories published in Boys' Life magazine centered around a patrol of Boy Scouts who acquire an abandoned time machine. 1961 Danny Dunn, Time Traveler
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
As with longer stories, plots of short stories also have a climax, crisis or turning point. [citation needed] In general, short stories feature endings which might be either conclusive or open-ended. [47] Ambiguity is a recurrent trope in short stories; whether in their ending, characterisation or length. [48]
Identify the significant story beats; often, briefly stating that the plot progresses from situation A to B rather than delineating how it gets there, i.e. skipping to the results of a sequence or even entire subplot, is a practical rule of thumb for staying at an efficient high-level overview. Necessary detail, however, must be maintained.