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Most of Frédéric Chopin's polonaises were written for solo piano. He wrote his first polonaise in 1817, when he was 7; his last was the Polonaise-Fantaisie of 1846, three years before his death. Among the best known polonaises are the "Military" Polonaise in A, Op. 40, No. 1, and the "Heroic" Polonaise in A ♭, Op. 53.
The Polonaises Op. posth[umous] include Frédéric Chopin's polonaises that were not given opus numbers. This page does not consider the three posthumous polonaises Op. 71, which Chopin's assistant Julian Fontana published with the family approval. On the other hand, it includes the early G minor polonaise (KK IIa No. 1) that was published in ...
Op. 20, Scherzo No. 1 in B minor (1831–33) Op. 21, Concerto for Piano and Orchestra No. 2 in F minor (1829–1830) Op. 22, Andante spianato et grande polonaise brillante in E ♭ major (the polonaise section orchestrated 1830-31; piano solo 1834) Op. 23, Ballade No. 1 in G minor (1831–1835) Op. 24, 4 Mazurkas (1834–1835) Mazurka in G minor
Piano Concerto No. 1 in E minor (1830), Op. 11. [13] Grande polonaise brillante (1830–1831), in 1834 expanded with an introductory Andante spianato for solo piano, and a fanfare-like transition to the earlier composition, together published as Op. 22. [4] Drafts for more concertos, ultimately resulting in the Allegro de Concert for solo piano ...
Polonaise in G minor 1817 1947 3 Polonaise in A-flat major: 1821 1908 4 Polonaise in G-sharp minor: 1824 1864 5 Variations in D major for 4 hands 1824–1826 1965 6 Variations in E major 1824 1851 7 Mazurka in B-flat major 1826 1851 8 Mazurka in G major 1826 1851 9 Funeral march in C minor 72 No. 2 1826 1855 10 Polonaise in B-flat minor: 1826 ...
B-flat minor KK. Vb/1 Lost. Copy of first line made by Chopin's sister Ludwika is extant Contredanse: G-flat major 1827 1934 B. 17 KK. Anh. Ia/4 A 1/4 Authenticity not universally accepted. The sole MS is not in Chopin's hand. [1] Écossaise E-flat major KK. Ve/3 Lost. Two écossaises were in the hands of Oskar Kolberg. Écossaise B-flat major ...
Franz Liszt used this melody as No. 2 (Mélodie polonaise) of his Glanes de Woronince, S.249 (1847); Liszt also transcribed the song for piano solo as No. 1 of his Six Chants polonais, S.480 (composed 1847-1860); Chopin also used a motif from the song in his posthumous Nocturne in C-sharp minor, Lento con gran espressione [5]
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