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Black Vaudeville is a term that specifically describes Vaudeville-era African American entertainers and the milieus of dance, music, and theatrical performances they created. Spanning the years between the 1880s and early 1930s, these acts not only brought elements and influences unique to American black culture directly to African Americans ...
This is an incomplete list of television programs formerly or currently broadcast by History Channel/H2/Military History Channel in the United States. Current programming [ edit ]
Theatre Owners Booking Association, or T.O.B.A., was the vaudeville circuit for African American performers in the 1920s. The theaters mostly had white owners, though about a third of them had Black owners, [1] including the recently restored Morton Theater in Athens, Georgia, originally operated by "Pinky" Monroe Morton, and Douglass Theatre in Macon, Georgia owned and operated by Charles ...
Actor, singer and dancer whose vaudeville career began in earnest after winning a talent contest. After working in vaudeville and burlesque, Alda appeared on Broadway, winning a Tony Award for the role of Sky Masterson in Guys and Dolls. He later appeared in film, as well. He is the father of TV and film actor Alan Alda. [11] [12] Joe Bennet ...
Vaudeville developed from many sources, including the concert saloon, minstrelsy, freak shows, dime museums, and literary American burlesque. Called "the heart of American show business", Vaudeville was one of the most popular types of entertainment in North America for several decades. [6]
Jack accepted the bet, and hired a group of Black performers who not only allowed Jack to collect his $1,000 but went on to perform sold-out shows across the country. [7] The Black press of the time wrote that Hines and her co-star Florence Briscoe in the groundbreaking show "gave a new impression of the possibilities of our girls in show ...
Sherman Houston Dudley (1872 – March 1, 1940) was an African-American vaudeville performer and theatre entrepreneur. He gained notability in the late nineteenth and early twentieth century as an individual performer, a composer of ragtime songs, and as a member and later owner of various minstrel shows including the Smart Set Company.
George Walker, Adah Overton Walker, and Bert Williams in In Dahomey (1903), the first Broadway musical to be written and performed by African Americans. Bert Williams (November 12, 1874 – March 4, 1922) was a Bahamian-born American entertainer, one of the pre-eminent entertainers of the vaudeville era and one of the most popular comedians for all audiences of his time. [1]