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José García Villa [1] (August 5, 1908 – February 7, 1997) was a Filipino poet, literary critic, short story writer, and painter.He was awarded the National Artist of the Philippines title for literature in 1973, [2] [3] as well as the Guggenheim Fellowship in creative writing by Conrad Aiken. [4]
C. José Caballero (painter) Lita Cabellut; Manuel Cabré; Carmen Calvo (artist) Miguel Ángel Campano; Vicenç Caraltó; Peris Carbonell; Carles Casagemas
His favorite themes were traditional in nature and he is considered a major exponent of Andalusian regional painting. In 1917, a group of artists proposed erecting a memorial gazebo in the Jardines de Murillo . The government accepted the proposal, it was paid for with funds collected by the artists, and was opened to the public in 1923.
Many of his works were translated into Tagalog, Malaysian, Russian, Italian, and German. Arcellana won 2nd place in the 1951 Don Carlos Palanca Memorial Awards for Literature, with his short story, The Flowers of May. Fourteen of his short stories were also included in Jose Garcia Villa's Honor Roll from 1928 to 1939. His major achievements ...
Virgilio Senadren Almario (born March 9, 1944), better known by his pen name Rio Alma, is a Filipino author, poet, critic, translator, editor, teacher, and cultural manager. [1]
Francia was born in Manila, Philippines.He graduated from the Ateneo de Manila University with an AB in Humanities, cum laude [2] and moved to New York in the 1970s. As a budding poet in New York, he studied with José García Villa, [3] the National Artist of the Philippines for literature, at The New School and later at his private workshop in Greenwich Village.
García Narezo made oil paintings, watercolors and drawings, but is known especially for his murals. [2] These include La electricidad al servicio de Sonora in Ciudad Obregón, Sonora and an Italian mosaic at the Plaza Cívica in Lomas de Cuernavaca, Morelos named Juego con luna (1958).
Art historian Martin S. Soria titles the painting Spain, Time, and History and claims that the painting was likely created around 1797. He asserts the strong influence of Cesare Ripa's Iconologia (first published in 1596) on Goya's depiction of Time and History as classic allegorical figures. In Soria's interpretation, History fulfills a ...