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As a response to the popularity of tanegashima, the armor style of tosei-gusoku (当世具足) was created. Tosei-gusoku kabuto were made by combining three to four pieces of iron plates. These were more bulletproof than the conventional style and could be mass produced. The tatemono became more eccentric and huge.
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
The Japanese cuirass evolved into the more familiar style of body armour worn by the samurai known as the dou or dō, with the use of leather straps (nerigawa), and lacquer for weatherproofing. Leather and/or iron scales were also used to construct samurai armours, with leather and eventually silk lace used to connect the individual scales ...
The O-yoroi Armor of Ashikaga Takauji [白絲威褄取鎧(しろいとおどしつまどりよろい)] Shiro-ito Odoshi Tsumadori O-yoroi) is a piece of Japanese armour made for the shogun of the Ashikaga shogunate, Ashikaga Takauji. [1] This piece of armor belongs in the Arms and Armor Department of the Metropolitan Museum of Art.
Worn by samurai and courtiers during the Edo period, the outfit included a formal kimono, hakama, and a sleeveless jacket with exaggerated shoulders called a kataginu. Samurai visiting the shōgun and other high-ranking daimyō at court were sometimes required to wear very long hakama called naga-bakama (lit. ' long hakama ').
Tokyo Fuji Art Museum. Men-yoroi (面鎧), also called menpō (面頬) or mengu (面具), [1] [2] [3] are various types of facial armour that were worn by the samurai class and their retainers in feudal Japan. These include the sōmen, menpō, hanbō or hanpō, and happuri.
The higher class samurai wore elaborate armour [1] while the lower class samurai and retainers wore simpler versions. In his book Arms and Armor of the Samurai: The History of Weaponry in Ancient Japan [ 2 ] Ian Bottomley shows a karuta tatami do and a karuta tatami kabuto (p. 88), and discusses different types of tatami dō karuta gane dō and ...
Very formal kimono display more mon, frequently in a manner that makes them more conspicuous; the most formal kimono display mon on both sides of the chest, on the back of each sleeve, and in the middle of the back. On the armor of a warrior, it might be found on the kabuto (helmet), on the do (breast plate), and on flags and various other places.