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"If My Friends Could See Me Now", with music by Cy Coleman and lyrics by Dorothy Fields, is a song from the 1966 Broadway musical Sweet Charity.In the musical the character of Charity, played in the original New York cast by Gwen Verdon, reflects on her marvellous luck as she spends time with Vittorio.
Sweet Charity is a musical with music by Cy Coleman, lyrics by Dorothy Fields and book by Neil Simon. It was directed and choreographed for Broadway by Bob Fosse starring his wife and muse Gwen Verdon alongside John McMartin. It is based on the screenplay for the 1957 Italian film Nights of Cabiria.
"Big Spender" is a song written by Cy Coleman and Dorothy Fields for the musical Sweet Charity, first performed in 1966. Peggy Lee was the first artist to record the song (on single released on Jan 29, 1966), also on the album Big Spender (released July 30, 1966).
Sweet Charity is a 1969 American musical comedy-drama film directed and choreographed by Bob Fosse in his film directorial debut. [2] It is adapted by Peter Stone from the 1966 stage musical of the same name – also directed and choreographed by Fosse – in turn based on the 1957 Federico Fellini film Nights of Cabiria .
"My Song" - H.E.R. While this loving tribute to a special someone isn't specifically about the artist's mother, lyrics like "Everything that you've told me I thank you every day for" certainly ...
Live 8, a large, international series of benefit concerts staged in 2005. A benefit concert or charity concert is a type of musical benefit performance (e.g., concert, show, or gala) featuring musicians, comedians, or other performers that is held for a charitable purpose, often directed at a specific and immediate humanitarian crisis.
Sweet Relief: A Benefit for Victoria Williams is a 1993 tribute album that features a variety of alternative rock bands covering songs written by Victoria Williams. Except for “Crazy Mary”, which she was to record on Loose and “This Moment”, all these songs had been recorded on either Happy Come Home or Swing the Statue! .
The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.