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Paper craft is a collection of crafts using paper or card as the primary artistic medium for the creation of two or three-dimensional objects. Paper and card stock lend themselves to a wide range of techniques and can be folded, curved, bent, cut, glued, molded, stitched, or layered. [ 1 ]
In Shinto and Buddhism in Japan, an ofuda (お札/御札, honorific form of fuda, ' slip [of paper], card, plate ') or gofu (護符) is a talisman made out of various materials such as paper, wood, cloth or metal.
The fruit may be given as a religious offering in Buddhist temples. According to tradition, Buddha prefers the "fingers" of the fruit to be in a position where they resemble a closed rather than open hand, as closed hands symbolize to Buddha the act of prayer. In China, the Buddha's hand fruit is a symbol of happiness, longevity, and good fortune.
The Sangha of the Tathagata's disciples (Ariya Sangha) can be described as including four or eight kinds of individuals. There are four [groups of noble disciples] when path and fruit are taken as pairs, and eight groups of individuals, when each path and fruit are taken separately: (1) the path to stream-entry; (2) the fruition of stream-entry;
Chinese paper folding, or zhezhi , is the art of paper folding that originated in medieval China. The work of 20th-century Japanese paper artist Akira Yoshizawa widely popularized the Japanese word origami ; however, in China and other Chinese-speaking areas, the art is referred to by the Chinese name, zhezhi .
The orizuru (折鶴 ori-"folded," tsuru "crane"), origami crane or paper crane, is a design that is considered to be the most classic of all Japanese origami. [ 1 ] [ 2 ] In Japanese culture, it is believed that its wings carry souls up to paradise, [ 2 ] and it is a representation of the Japanese red-crowned crane , referred to as the ...
For this purpose, Moggallana took a fruit from the tree as it dropped from its stalk, before it reached the ground. It was planted in a golden jar by Anathapindika , with great pomp and ceremony. A sapling immediately sprouted forth, fifty cubits high, and in order to consecrate it, the Buddha spent one night under it in meditation.
The mandala in Nichiren Buddhism is a moji-mandala (文字曼陀羅), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities, and certain Buddhist concepts.