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People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0-8264-1752-3. Koskoff, Ellen, ed. (2000). Garland Encyclopedia of World Music, Volume 3: The United States and Canada. Garland Publishing. ISBN 0-8240-4944-6. National Conference on Music of the Civil War Era (2004).
African-American music is a broad term covering a diverse range of musical genres largely developed by African Americans and their culture.Its origins are in musical forms that developed as a result of the enslavement of African Americans prior to the American Civil War.
Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
Testimonies from slave ship sailors recall how kidnapped Africans during the Atlantic slave trade sang to send messages and track down family members. Once they reached the Americas, enslaved ...
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
Frederick Douglass was an escaped slave and abolitionist author. In his 19th-century autobiography, Narrative of the Life of Frederick Douglass, an American Slave (1845), Douglass gives examples of how the songs sung by slaves had multiple meanings. His examples are sometimes quoted to support the claim of coded slave songs.
For the remainder of the 1950s, Seeger continued to appear at camps and schools and to write songs and pro-labor union and anti-war editorials, which appeared in his column in the folk music magazine Sing Out! under the pen name of "Johnny Appleseed". The Weavers were temporarily silenced but returned to sing before a rapturous crowd of fans in ...