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In the back of each cabinet was a power amp which was interchangeable with a unit that ranged from 90 to 140 watts (and probably some lower wattages). The head, a small, black and blue unit with a variety of channels for sounds, a single input and an effect input, was either designated for guitar or bass.
The Vox AC50 is a guitar amplifier head and accompanying speaker cabinet manufactured by Vox.It was introduced in 1964 to meet the growing demand for louder amplifiers during the British Invasion era of rock and roll live performances. [1]
A few years after moving from Seattle, Washington to Los Angeles, California in 1976, Steven Fryette landed a job as a repair technician at Valley Arts Guitar. Fryette honed his skills doing custom work, repairs, and modifications for the likes of Eddie Van Halen, Steve Lukather, Larry Carlton, Tommy Tedesco, Ry Cooder, Buzz Feiten, Carlos Rios, Duane Eddy, and many other guitar players.
Peavey 6505 head and cab. The Peavey 5150 is a vacuum tube based guitar amplifier made by Peavey Electronics from 1992 on. The amplifier was initially created as a signature model for Eddie Van Halen. After Van Halen and Peavey parted ways in 2004, the name was changed to Peavey 6505 in celebration of Peavey's 40th anniversary (1965–2005).
The Ampeg SVT is a bass guitar amplifier designed by Bill Hughes and Roger Cox for Ampeg and introduced in 1969. The SVT is a stand-alone amplifier or "head" as opposed to a "combo" unit comprising amp and speaker(s) in one cabinet, and was capable of 300 watts output at a time when most amplifiers could not exceed 100 watts output, making the SVT an important amp for bands playing music ...
The Rockman Guitar Monitor is a guitar stack that can be used with the Rockmodules or XPR. It was introduced in 1991. The components include a Rockman PA500 amplifier (a modified Carver PM175 2x250-watt), up to four linear 3-way cabinets and stage head that provides mounting for the amp, pre-amp and other rack-mount components.
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